Witryna8 maj 2024 · Anne Imhof, Opera, Act II, Berlin, 2016. Anne Imhof’s three-act opera Angst is a grand and opaque artwork that drifted across the world like a low-pressure system. Act one saw its performers communing around a fountain filled with water and whisky at Kunsthalle Basel this summer. For act two, Imhof set up anarchic camps in … Witryna11 cze 2024 · Il museo parigino che ha già dato «carta bianca» a Ugo Rondinone nel 2007, Tino Sehgal nel 2016 e Tomás Saraceno nel 2024, ... Anne Imhof reinterpreta e mette a nudo l’architettura del Palais de Tokyo, svuotato da tutte le sue strutture effimere per ridurlo all’essenziale. Al suo interno ha creato un vasto paesaggio di vetro riciclato.
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WitrynaAbstract. Understanding the behavior of the Greenland ice sheet in a warmer climate, and particularly its surface mass balance (SMB), is important for assessing Greenland's potential contribution to future sea level rise. The Eemian interglacial period, the most recent warmer-than-present period in Earth's history approximately 125 000 years … Witryna7 mar 2024 · In 2016, Imhof presented her own three-act opera, “Angst” (each act unveiled in a different city: Basel, Berlin, and Montreal), that included among its dark atmospherics a hooded falcon, drones zooming around the performers, smoke machines, mobile phones, and ominous choral chants. This March, she will present her next … chinese pregnancy chart 2017
The Mother (2003) directed by Roger Michell - Letterboxd
WitrynaAngst is an opera in three acts that stretch temporally and spatially over three stations: Kunsthalle Basel, Berlin's Nationalgalerie – Hamburger … WitrynaAnne Imhof (* 1978 in Gießen) ist eine deutsche Künstlerin. Ihr Werk umfasst Zeichnung, Malerei, ... 2016 schuf Imhof den Werkzyklus Angst, der sich zeitlich und räumlich … WitrynaDora Imhof, Sibylle Omlin, Lausanne 2016 - Dora Imhof, „’Ich würde sagen, dass die Gegenwart in der Schweiz interessanter ist als die Tradition.’ Interviews zur Kunstgeschichte in der Schweiz“, in: Die Biographie – Mode und Universalie, Hg. Beate Böckem, Olaf Peters, Barbara Schellewald, Berlin 2015, S. 267-273 grandsharp japanese high carbon knives